An artwork is foremost a reflection and expression

It has been essentially argued since time time-worn of how an ar devilrk is foremost a blame and expression of the deeper emotions and values of an artist, which may sometimes be unfortunately suppressed in the artists life or unintentionally implied in the artwork. For that matter, any artwork is perhaps considered an artists in-person gambling set in a creative dash of expression. Sophie Tread comfortablys land, Machinal, and T.S. Eliots verse form, The Love Song of J. Alfred Prufrock, are be fitting examples of new(a) human drama relatively framed in a dark, lonesome, and tragic milieu of make whop, finish, age, solitude, and hopelessness in the twentieth century.In Eliots rime, the storyteller or loudspeaker system unit in his poem is a contemporary man who feels surreptitious brought by the fear of aging, and who is indecisive to encounter upon his crisis on make do for a woman. The speaker Prufrock is rather an epitome of despair, frustration, and helplessnes s of the modern man toward a own(prenominal) crisis. Prufrock positions himself as a symbol of disillusionment and deject for failing to overcome his human weaknesses. What makes the poem or the speaker tragic is that his risk on a lot of things is seemlyty his happiness in life and love. He remains to be brooding, dark, lonesome and awaits close in no time.Eliot has always been a difficult read, and this quality of writing has congeal him in the level of other literary masters. For a non-Eliot reader, the poem may initially seem confusing to look. However, the speaker Prufrock has been endue by Eliot the style of repeating particular phrases and going back to his main sentiment while the poem develops into a solid new set of ideas. This style is quieten the reader that he can understand the deeper emotions of the speaker as he tardily reads through it. On one hand, this repeat may to a fault show the speakers inability to communicate well with the society, and he needs to repeat spoken language such as vision and revise to be clearly understood.Eliot possesses an ironic manner of writing that is very well implied on how Prufrock talks about his love for a woman however is coward enough to feed up his feelings and of how he even contradictorily speaks of time as he would virtuoso the urgency to capture life and love in his hands before antiquated age and death take him away, exclusively would also set it aside and fail that there is still time to take in up on things.The first two similar characteristics or qualities of Treadwells play with Eliots poem are the twentieth century setting and powerful themes of death and despair, even though the formers work is based on a sensational real murder display case and the latter is more of a personal struggle brought about by aging.Machinal is also similar with Prufrocks written hear of pessimism and depression for things that they are incapable of having, but both end in distinguishable resolu tions. Machinals main character, Helen, is unhappily marry to a vicious man and merely happily having an extra-marital affair with a junior man. But, Helen being incapable of loving the younger man in the most proper ways as dictated by societys conventions, murders her husband and releases herself from the horrible married life. In the case of Prufrock, he remains attached to his fears of opening up to his love and to the society.Machinal is as powerful and life ilk as Prufrock in its presentation of despair over love. Machinal is desperately consumed with two kinds of love as previously stated. What makes Helen a tragic hero wish Prufrock is their disparate valor takes them not into the world of admiration, but into a world of utmost dismay and despair theirs is a tragic presentation of evenfall to an inescapable human obstacle of foil emotions.Treadwell is capable of repetitive rhythm like a strange poem a quite tricky concept like Eliot yet incorporated the theatri cal bevel of any expressionistic writing during the twentieth century. To say expressionistic is to only set apart the attributes of human emotions, not necessarily placing it into an tone-beginning of realism. But, moreover, Machinal is an engaging, dark display of human abhorrence doomed like Prufrocks love song.Works CitedTreadwell, Sophie. Machinal (Royal National Theatre). London break away Hern Books, 1995.T. S. Eliot The Love Song of J. Alfred Prufrock.